About

With over 20 years experience, I work in features, commercials and documentaries.

I’ve worked on some fantastically creative and diverse projects from the recent Netflix productions Chicken Run: Dawn of the Nugget, The House Anthology and Wes Anderson’s highly acclaimed feature, Isle of Dogs to award-winning commercials like Sipsmith’s London Gin.

I approach projects with preparation, research and determination to make the best of the resources at hand. I enjoy long-term relationships with some of the UK and Europe’s most successful production companies.

I believe strongly in collaboration; working closely with the director and production team. I draw upon an arsenal of technical knowledge honed over hundreds of projects on a huge array of formats. My background in fine art and photography informs my approach. I'm often sought out to shoot multidisciplinary projects that combine stop frame, time-lapse, 360 VR, motion control, tabletop, food, pack shots. My strong knowledge of post-production and VFX has proved to be a consistent asset on set. Quality, creative lighting are at the heart of every shoot and it’s the variety and challenge of a shoot that always excites.  

I've taught Cinematography for the Met Film School, Four Corners and at the Animarkt festival in Poland and mentored members of the camera department for Skillset training schemes.  In 2017 I joined The Guild of British Camera Technicians.  A not-for-profit association of knowledgeable, qualified and craft trained camera technicians dedicated to upholding quality and standards in the film, television and related media industries.

Industry memberships: GBCT, BECTU
Health & Safety: The Mark Milsome Film and TV Online Safety Passport Course

Please use my contact form if you have a question or you’d like to discuss a forthcoming shoot. 

Read recent press here and download a CV & credit list here.