I am a Cinematographer working in features and commercials. 
Over the years I've had a lot of experience in stop-frame cinematography and I'm often asked, by some lovely directors, to work on films of this kind. I regulary shoot with some of the UK and Europe’s most successful production companies.
I’ve enjoyed working on some fantastically creative and diverse projects, recent shoots in 2021 include The House Anthology a feature shoot for Nexus Studios to be released on Netflix in January 2022.  Other major feature projects include Wes Anderson’s highly acclaimed, Isle of Dogs and Tim Burton's stop frame films Frankenweenie and Corpse Bride
I enjoy and embrace close collaboration with the director and production team to create the best film possible. I draw upon an arsenal of technical knowledge honed over hundreds of projects on a huge array of formats.  I often shoot multidisciplinary projects that involve or combine stop frame, time-lapse, 360 VR, motion control, tabletop, food and pack shots and my strong knowledge of post-production and VFX has proved to be a consistent asset on set. Creative lighting, which underscores the films story, is always at the heart of every shoot. 
I've taught Cinematography for the Met Film school and Four Corners and mentored members of the camera department for Skillset training schemes.  In 2017 I joined The Guild of British Camera Technicians.  A not-for-profit association of knowledgeable, qualified and craft trained camera technicians dedicated to upholding quality and standards in the film, television and related media industries.
Please use my contact form if you have a question or you’d like to discuss a forthcoming shoot. 

I've had the chance to have Malcolm as part of the team across a few projects all with different shapes, sizes and challenges and it was never a disappointment, quite the opposite actually. On top of a large array of skills he can bring to the table, there's a great amount of calmness and the will to go above and beyond, which is one of the best characteristics of a great professional and team player, at least to me. I'm more than happy to recommend Malcolm and am pretty much looking forward to our next shoot.
Marcela Ferri Freelance Senior Producer, Netflix 


I have worked with Malcolm on a number of occasions. I value him enormously for his creativity, his professionalism, his knowledge and his manner. It’s always an absolute pleasure to work with him.
Trine Johnson Senior Producer, ITV Creative
I would definitely recommend him, he’s a very talented DOP. He’s very thorough and our interviews looked very polished. It was a pleasure to work with him. 
Jane Greaves Producer, Blast Films
I have worked with Malcolm and highly recommend him. He’s worked for us over the last 8 years and is a true professional, dedicated, skilled and great to have on any production team. 
Simon Gascoigne Cisco TV
Malcolm is a talented Cinematographer. He contributes creatively and solves problems, if they arise. He is supportive of the production and has a good understanding of post-production techniques, too. He is also a very relaxed person and a pleasure to have on the shoot. 
Glenn Holberton Producer, Loose Moose
Download a CV 
Listen to a short interview about my work on Movidiam 
Read an interview about shooting Frankenweenie by Call Sheet